There’s a voice in Aline’s head: a voice that wants out.

Brash, boisterous and sexually adventurous, this voice seems to be the antithesis of Aline, a prim literature professor for whom each day promises to be as quiet and conventional as the last.

That is until, after thirty-five years of imprisonment, her alter ego breaks free.

Taking on a life of his own, Orlanda – Aline’s second self – slips into the...

There’s a voice in Aline’s head: a voice that wants out.

Brash, boisterous and sexually adventurous, this voice seems to be the antithesis of Aline, a prim literature professor for whom each day promises to be as quiet and conventional as the last.

That is until, after thirty-five years of imprisonment, her alter ego breaks free.

Taking on a life of his own, Orlanda – Aline’s second self – slips into the taut, rugged body of a young man. As Aline continues unaware, Orlanda follows, dragging gleeful chaos in his wake, vowing to leave both their existences forever altered.

A bewitching fable, an androgynous dream, Orlanda is one woman’s reckoning with all the hidden sides of her soul.

'Imagination. Jacqueline Harpman certainly doesn't lack any. . . . With incredible mastery, she juggles with identities, intertwines desires and fears, fantasies and frustrations.' –L'Express